All Giulio Romano Oil Paintings

Italian 1492-1546 Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L'incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master. In the Palazzo Te, MantuaAfter the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525?C1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.
 

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Giulio Romano Coronation of the Virgin oil on canvas


Coronation of the Virgin
Coronation of the Virgin
Painting ID::  89123
  between 1505(1505) and 1525(1525) Medium oil on wood cyf
  between 1505(1505) and 1525(1525) Medium oil on wood cyf

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Giulio Romano The Adoration of the Shepherds oil on canvas


The Adoration of the Shepherds
The Adoration of the Shepherds
Painting ID::  89155
  1535(1535) Medium oil on wood cyf
  1535(1535) Medium oil on wood cyf

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Giulio Romano Battle of the Milvian Bridge oil on canvas


Battle of the Milvian Bridge
Battle of the Milvian Bridge
Painting ID::  94747
  1520-1524 Type fresco Dimensions ? cm x ? cm cyf
  1520-1524 Type fresco Dimensions ? cm x ? cm cyf

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Giulio Romano The Adoration of the Shepherds oil on canvas


The Adoration of the Shepherds
The Adoration of the Shepherds
Painting ID::  97218
  circa 1535(1535) Medium oil on panel cyf
  circa 1535(1535) Medium oil on panel cyf

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Giulio Romano The Lovers oil on canvas


The Lovers
The Lovers
Painting ID::  97985
  circa 1525(1525) Medium Oil on panel cyf
  circa 1525(1525) Medium Oil on panel cyf

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     Giulio Romano
     Italian 1492-1546 Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L'incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master. In the Palazzo Te, MantuaAfter the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525?C1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.

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